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Our team, meanwhile, has been alerted to possible alien activities thanks to the mutilated body of a federal employee. They know that the aliens have access to a list of radioactive waste hauling, which along with some intercepted transmissions between the reporter and her editor lets them put two and two together. There's a very silly bit where Blackwood and Ironhorse, who are rapidly emerging as the real stars of the show, pretend to be interested in hiring her to do a government documentary of some sort. She hands over her tape as an audition, and they drive off. Naturally, this arouses her suspicion even more.
Reporter and Blackwood Team both hit on the idea of locating the trucks by using the numbers painted on the roofs of the trailers. (Small problem with that - we see a clear shot of the trucks from above and there are no numbers. Oops.) The reporter uses her network contacts, the Blackwood Team hacks into government databases for satellite imagery, much to Ironhorse's chagrin. This leads both to Beeton.
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The team comes back with a full compliment of soldiers. Tanks, jeeps, troop transports, and armed men storm the town, but it's abandoned. The aliens have moved on. It's a major defeat for the team, and they can't afford many more of those. The now alien reporter, meanwhile, comments on rumors of 'alien activity' by informing the public that it was just military manoevers, mockingly noting that no aliens have come forward to comment.
The good: One of the Advocacy, while debating, expresses a longing to see their homeworld one last time, prompting a sharp rejoinder that Earth is their new home and that their homeworld is even now entering its death rattle. It then apologies for its lapse. I like this level of characterization.
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The tuning fork. Harrison Blackwood, for the very first time, employs a tuning fork memory recall technique. It's a good visual and fits with his quirky nature, and we'll see it again.
The ending. A nice, dark, down ending. The humans got away with their lives ... but that's about it. The aliens revived over a thousand of their species and sent them out into the world in new bodies.
The bad: McCullough's subplot about not adapting well to Blackwood's freakish working style doesn't work. She just comes across as petulant, which is impressive because HE'S the one being unreasonable.
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An advocate, a member of the super-intelligent alien leadership, says "nuke-u-lar" ... grrrrrr.
Hacking into the federal databases. Why bother if the team is working for the government. The reasons why the team didn't get access in the first place were not compelling, so this bit felt tacked on.
Aliens not realizing that there are humans among them. Aliens selling ice cream. Humans eating irradiated ice cream. I can go on. Long complaint short, the humans should have been instantly recognized and assimilated. The actions of the humans once they figure it out weren't much smarter. All told, smacked of bad writing.
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Overall, a relatively weak episode. Not a very smart plot; at least, not once the team gets to Beeton. Less gore than usual, probably saving money for the army to show up. A good ending, but it doesn't salvage a bad lead-up. War of the Worlds - The Complete First Season
2 comments:
To me, this episode has some of the best music of the series, especially when we first see Beaton, and when the trucks slam into the roadblock.
Ironhorse appearing in town with his tourist clothes on in priceless in this episode.
There are some really brutal scenes in this one. The images of the alien warrior STABBING it's hands into the mid-section of a human behind that curtain were brilliant and terrifying.
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