Child's Play is the 35th issue of the G1 Marvel US ongoing Transformers series. The creative lineup is largely unchanged from the previous issue - at least, the previous issue as it was intended to be read, issue #32. Budiansky continues to scrip, with Perlin pencils, Akin & Garvey inks and Yomtov colors. Only the lettering changes, with Jack Morelli joining the crew. The cover is a Frank Springer.
The cover is rather striking, pun intended, in an odd sort of way. Bruticus uses a freight train as a flail and smashes Defensor in the face. The train is mangled at the point where he grabbed it, with coal spewing everywhere. Four children look on in wonder and horror, even as they flee the scene. What makes it somewhat controversial is that the principals are block colored, with Bruticus in blue and Defensor in red. It's possible that this cover was rushed, necessitating this choice, but it actually works pretty well. The stark colors make for a dramatic contrast.
The issue itself begins with a child crashing dramatically to the ground, a toy gun clutched in his hand, while another kid atop a freight car points a weapon at him and yells POW! Nice lettering there, Morelli. Three boys, Sammy, Jed and Allan are playing some sort of game, though Jed's little sister Robin (and her teddy bear Daisy) aren't that keen. An argument about why she had to come (along with who's losing the game and who's maybe a little fat) is broken up when some emergency vehicles drive by. They hide from what they think are the police, but what are in fact the Protectobots.
The Protectobots are taking no chances with Blaster. He's clamped with a mode lock that prevents him from doing anything and keeps him stuck in cassette mode and attached to Groove, who is himself inside of First Aid. Grimlock is satisfied - he wants Blaster punished. Besides, the Ark is finally repaired, and Blaster's retrieval is holding up the launch. Wheeljack, though, is starting to have serious misgivings about Grimlock's leadership style.
Blades, scouting ahead for his comrades, sees some tank treads ahead that match Brawl's vehicle mode. Blaster is hidden away inside a pipe so that they can engage, though Jed sees him d rive by. Not that his friends believe him, though. With the prisoner safely out of harm's way, the Protectobots engage the Combaticons. The kids hear the sound of battle even as Sammy locates Blaster. Blaster encourages them to evacuate the area, realizing how easy it would be for the battle to spill over. Soon five on five combat evolves into one-on-one as the combatants combine. Bask in the bountiful bombast of Bob Budiansky: behold, "the Barbarous Behemoth Bruticus!"
Grimlock, meanwhile, is getting impatient. The mode lock, which is trackable up to a range of 50,000 miles, has been stationary for some time, so Grimlock prepares the Ark for launch. The kids track the towering titans tangle with trepidation. (Sorry!) Blaster suggests that removing the mode lock on him will allow him to protect them. Allan goes ahead and does it, prompting Blaster to quickly Transform. When he sees the fear in their eyes, he kneels before them and swears to protect them.
Defensor, meanwhile, is running low on fuel as his force field fades against the awesome artillery of his adversary. (Sorry!) Blaster is soon forced to make good on his oath by knocking aside a falling electrical tower to safeguard his charges. Bruticus finishes off Defensor with the aforementioned train, then turns on Blaster. Without any power in his weapon (see
issue #32), his options are limited. He tries to bluff Bruticus, saying that he was Defensor's prisoner. Bruticus demands he shoot one of the humans. Sammy steps forward, declaring that he's not afraid of the robot, prompting Blaster to shoot him. Down he goes, and his friends start to panic and cry. Bruticus leans forward to examine Blaster's handiwork, allowing the Autobot to fry him with the electrical dower downed earlier.
Sammy gets up. His acting has fooled the 'Con and allowed Blaster to save them all. Blaster helps the Protectobots recover, and Blaster promises not to give them any trouble provided the humans are shown to safety first. Hot Spot, though, realizes that Blaster has been doing a better job of protecting than he has and allows Blaster to go free. The kids spy Blast Off's unconscious shuttle form and express a desire to actually go into space, rather than just play at it. Thanks to the mode lock, they actually can do so. They fly off, feeling free fall and watching the world with wonder. (Sorry!) Unfortunately for them, there is another ship shooting at them. It's the Ark, and they longingly wish to go home now as the book ends. To Be Continued!!, it assures us.
Was it worth the wait of twelve weeks? (Sorry!) Eh, probably not. Even the month it took me to review this, following the previous chapter (thanks to Headmasters and, of course, Man of Iron) seemed pretty long. Timing aside, though, it's a decent story. There's nothing spectacular about it, really, but it hits the necessary beats. Blaster continues to be one of the more interesting Transformers. It seems that he's becoming a sort of defacto alternative to Grimlock's leadership. The Throttlebots, the Protectobots, and soon Wheeljack, all seem to be looking to him for guidance in the face of Grimlock's ineptitude. The kids, on the other hand, fail to compel. Sometimes Bob manages to craft truly interesting humans to view the conflict thorough, but this quartet fails to resonate, at least with me. We'll actually see quite a lot of them, comparatively.
Child's Play is collected as the kick-off chapter of
Classic Transformers Volume 3. (Sorry!) Sadly, even here, it's split up from #32. Next week, we're promised that we "Hitch a ride through the solar system with the the Spacehikers!
Plus Sky-Lynx!" Looks like we're back to introducing new characters. Joy!
I was just perusing Amazon, as I am wont to do, and lo and behold The AllSpark Almanac is up to 25 reviews! What's really amazing is that every single one of them is at five stars. 
Love and Steel! is the third of the four-issue limited Headmasters series. The creative line-up remains steady: Budiansky on scripts, Springer on pencils, Akin & Garvey on Inks, Yomtov on colors and Brosseau on letters. The same artistic team drew the cover.
Meanwhile, at the same remote complex where the Decepticons were first summoned, Zarak and his inner circle are locked in a makeshift cage while Scorponok's troops conduct experiments. They're working on an anti-gravity gun, designed to dump dissidents into space. When Apeface and Snapdragon return with news of defeat, Scorponok is furious. He has no patience for tales of organically enhanced adversaries. Zarak, though, proposes an alliance. He still believes that the Autobots are as much of a threat as the Decepticons. Scorponok mulls over the idea and decides that it has merit. One gets the sense that he is as interested in seeing what the impact will be on Zarak as he is in defeating the Autobots. This gives the whole scene a sort of Foustian feel. It's also an example of the love that kills - it's Zarak's love for his daughter and his planet that leads him to propose enhancing Scorponok's power. Without this bargain, it's very likely that Scorponok would have eventually been defeated and driven off Nebulos.
At the Autobot headquarters, the Council informs Galen of their intentions to observe, interrupting an examination of the weapons left behind by the Targetmasters-to-be. Duros points out the danger of proximity to battle, but Galen bends to the rule of law. Llyra arrives (wearing what appears to be a negligee) with word from her father ... he has been captured by the Decepticons and begs Galen set aside their differences and help him. The Autobots, council in tow, head out without delay.
As the prepare their assault, they're startled to see six Nebulons walk out of the fortress, with headless Decepticon bodies following closely behind. Zarak gloats for a moment, though he's briefly startled to see a Council hovercraft. Soon enough, though, he initiates the ambush and a battle begins. The battle is pretty standard comic fare, but the presence of the observers allows for some additional anguish. When the Council's craft is brought to ground, Mindwipe hypnotizes the members into heading into the complex. He then encases them in anti-gravity bubbles, allowing Scorponok to shatter the roof and send them skyward. He's horrified when he realizes that he's endangered his daughter, but that soon passes. The Autobots do their best to bring the bubbles down, shooting them (VERY carefully) and then catching the occupants. With the Autobots thus occupied, Scorponok regroups and prepares to deliver the coup de grâce. Fortress Maximus manages to save Llyra just before she floats out of range and set her down safely, only to have him and his troops laid low by the Decepticons. Here we REALLY see the love that kills theme played out. Galen's love for Llyra (and, indeed, all life) allows him to be distracted and defeated. Zarak's very love for his daughter prompted him to merge with Scorponok and then put her life in grave danger. And really, Llyra's love of her father put her in harm's way in the first place.
The Decepticons and their Nebulon allies are elated, but Zarak soon realizes that he almost killed his daughter. He wonders how she can forgive him, but fortunately for him she was so disoriented by Mindwipe's hypnosis that all she really remembers was Galen shooting at her. She embraces her father and thanks him for saving them. Ever the savvy politician, Zarak takes credit and promises that Galen won't be a threat to anyone any more.
It's time for more from Iván's Gallery. This week, Iván brings us a piece he calls 'Change.' I think it's pretty cool, a bit more serious than Cobra Commander usually manages to be. I think the military-style hat helps. Here's what Iván has to say about it:
This week's edition of The Ark Addendum features the background models for the episode Blaster Blues. I think it's fun how wide a variety of settings we get, from the beautiful Floro Dery spacescape, to a foreboding lunar vista, to some more conventional earth structures. The Voltronic Galaxer is pretty cool too. 
HAPPY HALLOWEEN! This year, I went as Tony Stark. Hope you all had some nifty costumes.
Child's Play is the 35th issue of the G1 Marvel US ongoing Transformers series. The creative lineup is largely unchanged from the previous issue - at least, the previous issue as it was intended to be read, issue #32. Budiansky continues to scrip, with Perlin pencils, Akin & Garvey inks and Yomtov colors. Only the lettering changes, with Jack Morelli joining the crew. The cover is a Frank Springer.
The Protectobots are taking no chances with Blaster. He's clamped with a mode lock that prevents him from doing anything and keeps him stuck in cassette mode and attached to Groove, who is himself inside of First Aid. Grimlock is satisfied - he wants Blaster punished. Besides, the Ark is finally repaired, and Blaster's retrieval is holding up the launch. Wheeljack, though, is starting to have serious misgivings about Grimlock's leadership style.
Blades, scouting ahead for his comrades, sees some tank treads ahead that match Brawl's vehicle mode. Blaster is hidden away inside a pipe so that they can engage, though Jed sees him d rive by. Not that his friends believe him, though. With the prisoner safely out of harm's way, the Protectobots engage the Combaticons. The kids hear the sound of battle even as Sammy locates Blaster. Blaster encourages them to evacuate the area, realizing how easy it would be for the battle to spill over. Soon five on five combat evolves into one-on-one as the combatants combine. Bask in the bountiful bombast of Bob Budiansky: behold, "the Barbarous Behemoth Bruticus!"
Defensor, meanwhile, is running low on fuel as his force field fades against the awesome artillery of his adversary. (Sorry!) Blaster is soon forced to make good on his oath by knocking aside a falling electrical tower to safeguard his charges. Bruticus finishes off Defensor with the aforementioned train, then turns on Blaster. Without any power in his weapon (see issue #32), his options are limited. He tries to bluff Bruticus, saying that he was Defensor's prisoner. Bruticus demands he shoot one of the humans. Sammy steps forward, declaring that he's not afraid of the robot, prompting Blaster to shoot him. Down he goes, and his friends start to panic and cry. Bruticus leans forward to examine Blaster's handiwork, allowing the Autobot to fry him with the electrical dower downed earlier.
Continuing the trend begun last week and continued by resident artist Iván, I thought I'd finish out the Destron Headmaster Junior's weaponry. This week it's their robot forms. Unfortunately, you'll notice a distinct lack of Cancer. While normally that's good, in this context it's unfortunate. The model pack of Masterforce Headmasters was quite scanty on Cancer. Fortunately some of that was made up for with some guidebooks from back in the 80s, but I still ran a bit shorter on his material than for his compatriots. For what it's worth, I'm also missing the non-gun-toting version of Minerva's robot form. Alas!
